Louise Bourgeois is best known for her Cells, Spiders, and various drawings, books and sculptures. Her works are sometimes abstract and she speaks of them in symbolic terms with the main focus being "relationships" - considering an entity in relation to its surroundings. Louise Bourgeois finds inspiration for her works from her childhood: her adulterous father, who had an affair with her governess (who resided in the home), and her mother, who refused to acknowledge it. She claims that she has been the "striking-image" of her father since birth. Bourgeois conveys feelings of anger, betrayal and jealousy, but with playfulness. In her sculpture, she has worked in many different mediums, including rubber, wood, stone, metal, and appropriately for someone who came from a family of tapestry makers, fabric. Her pieces consist of erotic and sexual images and also forms found in nature, such as her sculpture, Cumuls (referring to clouds in the sky) and Nature Study. Although she has worked with spider imagery since the 1940s, perhaps her most famous works are the spider sculptures from 1994 to 2003. This includes her most famous sculpture, Maman.
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